Diabolical Anthems
I probably wouldn't think anything of it, were I not lesson-planning for tomorrow's #Milton class, and this song just happen to come shuffling across my iTunes, but how seriously wicked it is, and how typical. I don't know anything about Greg Holden, apart from the fact that he made this song and Insound (where I buy my records) is giving it away for free. It's a beautiful tune, and a heartfelt, bold delivery, even if it's full of annoying non-sequesters, but when the chorus comes, it is perfectly diabolical.
My Brief Affair with the Criticism of Michael Robbins
Well, that was quick. On Wednesday, I received my copy of this month's Poetry Magazine, and read the criticism first, as is my custom. There, I found a blistering--not for its spirit, but for its force--critique of a new anthology called Postmodern American Poetry: A Norton Anthology, edited by Paul Hoover. It was authored by one Michael Robbins, whose poem book, "Aliens vs. Predator," I ordered immediately.
DHSI UVic
Thanks to the Simpson Center for the Humanities at the University of Washington, I was able to attend this year's Digital Humanities Summer Institute, hosted by the University of Victoria in B.C., just up the proverbial street from Seattle. While I learned a lot (and was bewildered often), perhaps the most helpful aspect of the DHSI was incidental to it.
Scottish Literature Course
Among the many assignments for the course on Scottish Literature I taught in Winter term for the University of Washington, my favorite was the creation of a Complete Works of Alexander Smith. mith (1830-1867) is a marvelously gifted poet of the Scottish working class who exploded onto the worldwide literary scene in the 1850's and was hardly ever heard from again, despite pleas every 30 years or so, by someone who actually read his work, for people to appreciate his genius. (For more on this phenomenon from a scholarly angle, see LaPorte and Rudy eds. Special Edition of Victorian Poetry vol. 42.4 2004) The pleas are ignored of course, and nothing of Smith's has been in print for 100 years. As a class, we took it upon ourselves to make a scholarly edition, (of James Thomson B.V., in another section) complete with introductions and footnotes, transcribing from scanned manuscripts where necessary.
What is a Chapbook?
ext month, the good people over at Finishing Line Press are putting out a chapbook of my poems, called Lunatic, about which you can read more here. I thought it a natural moment to say a few things about the form thereof.
New Poems published in Boneshaker
The people over at Wolverine Farms Publishing put together a spectacular little magazine in Boneshaker, full of narratives, diagrams, a very beautiful full-color poster, and two poems of mine: "Surface Tension" and "Counter-argument." You can order a copy here, or, if you're in Seattle, stop by Hub & Bespoke, which you should probably do anyway, because it's a lovely shop.
ICR: Shelley Among the Ruins of Language
So should we save an absence? Should we save the void and this nothingness at the heart of the image? -Jean Baudrilliard
Last month, I flew down to Phoenix to give a paper at ASU staged by the International Conference on Romanticism, on the broad topic of "Catastrophes." I've attended the ICR once before, when it was held at Oakland University in Rochester, MI, and had a collegial and intellectually-rewarding time, and was eager to find myself in such company again.
Small Cameras pt.2-Leica x1
When I finally won an eBay bid for my long-coveted Leica x1, when it arrived, after I finished marvelling at the packaging (what care, what consideration these people have) the first thing I did was to climb online and see if it was fake. Search: "Leica x1 counterfeit scam." Hmm. Nothing. But this camera is so light, surely it's a plastic knock-off of the dignified Leica of which I've dreamt. I snapped a picture of the desk in front of me. Hmm. Best picture I've ever seen. Not fake then. Or at least, a very, very good fake, featuring luxury optics that outperform any camera I've ever held.
It took me about two hours to love everything about this camera.
Roman Hours vol. 2.1
Tiburtina Station RedesignAfter a layover in Rome's newly re-imagined Tiburtina--and what times these Romans have ahead of them! Finally, a station worthy of its approach!--my wife and I boarded the new train line, Italo Treno, for Naples. Since the service just launched this Summer, they're offering 20 euro fares to all the major cities they visit (adding Venice and Turin soon), and though my seat faced backwards, which meant I was curled up in the aisle facing front (motion sickness, see?), how nice it was to find oneself on a clean and modern train, to have waited for it in an air-conditioned lounge with free wi-fi before boarding, to have booked tieckets from a beautiful, simple website, and to have been aided by an army of young, smartly-dressed attendants.
Small Cameras pt.1-Fuji x100
I haven't had a proper camera since the digital revolution made my years as film photography student seem quaint, like minoring in tannery, or taxidermy. Granted, there is still great work being done in film, and I'm not sure that even the best digital cameras match it yet--though they're close--but it still feels a little funny having been in likely the last class to learn hand-processing not as some retro-choice, but as the only option for aspiring professionals, just as it must've felt when the French perfected a county-wide canal system just in time for the automobile to render that method of goods transport adorable and less cutting-edge than they imagined and budgeted for.
Since I'm travelling around Europe a good bit this year, I thought it was time to step up.
Travel Tip: Getting to Rome

The train ride from Roma Fuimincino Airport has been bad for decades, but it's gotten worse recently, and now ranks among the worst things to be experienced by the sensual animal. Everything grates: it's filthy as a port-a-john, there's plastic everywhere and graffiti on that; all alert systems are red since it feels both crowded and dangerous. What's more, the A/C is broken, and has been on all five of my trips to Rome, and, somehow, psychotically, they've bolted all the windows shut. The temperature inside hovers around 100 and one thinks she can imagine the smell, but is still surprised experiencing it. And it's slow. And takes you through the worst part of town. And it's expensive: between 8 and 25 euro depending on which line you get in and whether the man working the desk thinks you look like prey. And th ensigns directing you to the "station" are held up with tape. You get the idea. Half of the visitors' Roman dreams are dashed in sweaty Satanic reality before one even crosses the Flaminian gate.